The Leader of French Rap Revolution

With his distinctive style, sharp songwriting kills, and an attitude of distinct cool, rapper MC Solaar has become one of France's most influential rapper.

Born Claude M'Barali in Dakar, Senegal, 1969, MC Solaar wasvoted best upcoming act at the 1992 Victoires de la Musique awards ceremony, and his influence has begun for the past years to attract world interest. His debut album from Polydor,"Qui Sème le Vent Récolte le Tempo",sold a lot of copies and became the first rap album in France to go platinum (over 400,000 units locally). It landed four hits, including "Bouge de Là", and "Caroline".

The international interest in Solaar led to releases in most European countries, including Germany, and Japan where he toured. In the UK, Solaar found a home in Gilles Peterson's Talkin' Loud label. Solaar was also one of the guests in Gangstarr's Guru Jazzmatazz project, and one of his songs was included in the Tommy Boy rap compilation in the USA.

Solaar says that when they started with their first album they wanted to equal in quality what American rappers were doing, and show that they could make the French language swing to their music. It earned them respect and credit, even on the international scene.

His writing has often been compared to that of a number of icons, including the late Serge Gainsbourg. In addition to his swinging rapping style, much of Solaar's sound comes from the music composed by his versatile DJ Jimmy Jay.

Rap is usually associated with suburban violence. His lyrics, while dealing with contemporary issues, are positive. Rap music is often tipped as monotonous ; his music swings. And last but not least, rap means commercial ghetto ; Solaar sales went far beyond the usual 60,000 consumers who have a rap album at home."

Solaar released his second critically acclaimed album 'Prose Combat', in November 1994, and set his place in the international rap industry for good. And then three years later with the release, in June 1997 of his third album,recorded in Paris and mixed in New York, French rap star MC Solaar confirmed his status as an international artist without compromising any of his superb serenity. In 1995 he also made a song for a French film called La Haine which is about life in the French suburbs and the violence that takes place there. The song, Comme dans un film, has also got remarks to violence which is very different from what Solaar has been writing about before since his rhymes are usually about peace, love and harmony.

Later in 1995 he ended his relationship with his DJ, Jimmy Jay due to an argument and started to to work with Pigale Boom Bass. Since then his style has progressed to a more fluid rapping and chilled beats mixed with old samples.

In 1997, with the release of his third album Paradisaque he confirmed confirmed his status as an international artist without
compromising any of his superb serenity. The biggest hits of that album were Gangster Moderne and Les Temps.

In 1998, MC Solaar released a self-titled album. It's only 37 minutes long but contains his latest hit, 5éme saison. He also released in 1998 a double CD called La tour de la question which is a concert album.

MC Solaar is a fluid rapper and a good poet which can be easily noticed in his lyrics. His easy going, yet teasing style, his positive lyrics and his love of words and sensuous perception has won him many awards and the gradual admiration of his Americanl peers as well as others around the world.

Solaar pleure.......

Le Leader de la révolution RAP français

Auteur-compositeur-interprète, le plus célèbre des rappeurs français.

Né à Dakar, au Sénégal, de son vrai nom Claude M’Barali, MC Solaar (MC signifiant «maître de cérémonie») grandit dans la banlieue parisienne. Il poursuivit des études de lettres (anglais, espagnol), tout en enregistrant avec des amis, dans un studio improvisé, les premières moutures de ses futurs succès. Au moment où la vague du rap arriva des Etats-Unis, Bouge de là (1990) fut une révélation : à côté des groupes de rap aux textes approximatifs et à la thématique violente, MC Solaar proposait une écriture élaborée et une ambiance toute différente. Un second titre, Victime de la mode, confirma la première impression, et l’album qui suivit en 1991, Qui sème le vent récolte le tempo, avec en particulier Caroline, lança définitivement la carrière du jeune rappeur.

En raison de son talent littéraire, de son goût des mots et de son intérêt pour un mouvement littéraire comme l’OuLiPo, il fut très bien accueilli par certains milieux intellectuels, tandis que d’autres rappeurs lui reprochaient son succès et le trouvaient compromis avec le «système». MC Solaar, qui ne figure pas dans les compilations du rap français (Rapattitude I et II), poursuivit son chemin en solitaire. Reconnu à l’étranger, il est devenu en France le rappeur que l’on oppose aux casseurs et aux provocateurs comme NTM. Son deuxième album, Prose combat (1994), montra que les références du chanteur sont plus du côté de Serge Gainsbourg que des Noirs américains qui pratiquent le rap incitant à la violence.

Considérant qu’il a une responsabilité face aux problèmes de l’intégration et du racisme, MC Solaar représente le retour à la «chanson à texte» : ses œuvres resteront sans doute l’un des plus beaux exemples de création engagée, à la façon de Léo Ferré.

Depuis le départ de Jimmy Jay, le DJ-compositeur de la première heure, MC Solaar paraît bien seul dans la planète du rap hexagonal, qui ne l’a, de toute façon, jamais vraiment accepté. Mais cet homme qui se prétend lunaire a toujours les pieds solidement plantés dans le vaste décor de la scène française.

Solaar pleure.......